*. A hurricane is bearing down on Puerto Rico. This made me question how many movies I’ve seen set in Puerto Rico. I can’t think of many (or really any) off the top of my head.
*. I really should have hated Force of Nature. Almost everyone else did. And for what are obvious reasons.
*. The plot has a cop with a tortured past (we first see him contemplating suicide) pairing up with a new kid. Haven’t seen that before. Anyway, their job is to go around telling residents to flee for safety from the hurricane. Upon arriving at one apartment building, however, they find themselves meeting up with a crusty old ex-cop (Mel Gibson) being nursed by his daughter (Kate Bosworth). He’s not leaving. Meanwhile, also in the building is an old German guy with a lot of stolen artwork, another guy with a big cat locked up in a spare bedroom, and a bunch of bad guys who are looking to steal the artwork. The stage is set.
*. It’s all as contrived as it is clichéd. Every now and then the action just stops and we have characters explain their back stories. As soon as we find out about the cat in the spare room (is it a tiger? I wasn’t sure), and the fact that it’s been trained to attack people wearing police uniforms, we know that’s going to become important.
*. Nor does any of it make a lot of sense. Why don’t they tie something around the tiger guy’s leg to stop it from bleeding? Why does someone have to literally hold on to his leg? How is that guy keeping a tiger in his spare room anyway? How can he afford to feed it that much grocery-store beef? And isn’t that whole set-up cruelty to animals?
*. At one point Bosworth and the tiger guy are trying to get away from the bad guys and they go into the basement, which has been filling with water throughout the hurricane. By the time they get to it the water is nearly up the ceiling. “If there’s water coming in, there’s a way out,” Bosworth says. Um. No. Not really. In fact, not at all. It just means there’s water coming into the basement from outside. But there is a way out! Of course.
*. I’ve joked before about the late career choices of Bruce Willis. Apparently he was originally cast as the ex-cop here. So now you know what happens to the roles Bruce Willis doesn’t take. They go to Mel Gibson.
*. Which is too bad for Bruce, actually. The thing is, despite being so hokey that it feels at times to be meant as a joke, with Emile Hirsch’s performance bordering on comic, I kind of enjoyed Force of Nature. I certainly thought it was a better movie than Cosmic Sin, which is the kind of thing Willis was doing instead. And whatever else you want to say about Mel Gibson, he’s like Tom Cruise in that he gives every part his all. He’s like the anti-Bruce in that regard.
*. The ending underlines the sense of it not being meant to be taken seriously. The lights go out, the panther leaps, and then . . . break to the next day. On the plus side, at least we didn’t get one of those terrible CGI tigers or jaguars. On the other hand . . . what the heck?
*. Bosworth is surprisingly good, meaning she keeps her dignity intact. The fact that her husband Michael Polish was directing might have helped. Gibson is watchable, and at least gives the impression of someone who is trying, which is more than Willis would have bothered with. The budget was obviously tight so there’s not a lot of production value. But keep your expectations low and it goes down easily enough.
This is the kind of “force of nature” I think of:
I never know if a picture will show up with the link or not….
Showed up fine here! Looks like Swamp Thing. Mighty early we’re blogging this morning.
Oh good, it showed up then.
See my response to your comment on my covid post.
‘I certainly thought it was a better movie than Cosmic Sin…’
Can we have this quote to use for the poster?
A quote like that could be used almost anywhere.
Who is playing the cop searching the buildings, or is does he die and is therefore not important enough to mention?
Emile Hirsch is the burnt-out case. I mentioned him just at the end. His partner is Stephanie Cayo. They both live. Hirsch pairs off with Bosworth (highly improbably).
Not sure I’ve seen him in much but that’s not a surprise if he’s in movies like this.