Don’t Breathe 2 (2021)

*. I liked Don’t Breathe (2016), and knew that a sequel was immediately in the works, but I wasn’t feeling that good about another one. It didn’t seem like they had a lot to work with in the creepy reverse-home invasion story of a blind old super-soldier who lives in a derelict building in the wastelands of Detroit, where he imprisons young women in the hope of impregnating them and having a kid.
*. Eight years later, however, it seems that the Blind Man, a.k.a. Norman Nordstrom (Stephen Lang), has turned over a new leaf, having adopted a daughter he’s named Phoenix (Madelyn Grace) and raised her in various urban-jungle survival skills. But then trouble comes calling, again . . .
*. I have to admit, what I was dreading the most about Don’t Breathe 2 was that it would be a retread of the first movie, and to give them full credit that’s not the direction they went. Instead the decision was made to redeem Norman and present him as the hero. Add to this a plot that comes with a ridiculous but undeniably dark twist and you have a script that producer Sam Raimi, not an unbiased source, thought “the greatest idea for a sequel I’ve ever heard.” I didn’t think quite that highly of it, but it wasn’t what I was expecting, which I liked.

*. Alas, the easiest way to redeem Norman, aside from showing his affection for dogs, is by making him seem good in comparison to the bad guys in the movie. Which means those bad guys are really, really bad. Some of them are stock baddies of the “yo, bro” school, who wear their hoodies up even at night and hold their pistols flat (that is, canted at a 90 degree angle).
*. I don’t know why people hold their guns that way. There was an episode of The Sopranos where Christopher sees a rent-a-hood doing it and he corrects him with disgust. I guess we can blame the media. According to Wikipedia: “Shooting a gun in this way has no practical benefit under most circumstances and makes proper aiming very difficult, but the style has become somewhat popular in hip hop culture and among street criminals (who do not often use the gun sight) due to its portrayal in American film and television since the early 1990s.”
*. In any event, these are the grunts. The main bad guy is something worse, which ties into the plot twist I mentioned and which I’ll only describe here as really fucked up. Though it’s not surprising, given the information we’re presented with. You’ll see it coming. The only surprise I felt was that they took it as far as they did.
*. Here’s something I said in my notes on Those Who Wish Me Dead, which I was relating to the similar storyline in The Marksman: “Is there some underlying message or anxiety being tapped into in these movies about a crisis in American parenthood? Orphaned children having to depend on these strange, solitary, cowboy figures to survive?” The question stands.
*. The film is formulaic to be sure, but it has enough that’s interesting about it to make it worthwhile. I like the way Lang plays the part. Norman seems a truly tortured soul. The kills and action sequences are reasonably fresh, if far-fetched. One bad guy has his mouth and nose glued shut, meaning a hole has to be stabbed into his cheek for him to breathe. Another scene has Norman playing dead in a cellar filled with an inch of water so that when the bad guys come after him he can pick up their locations by the ripples they set off. I thought that was clever.
*. First-time director Rodo Sayagues, who co-wrote both films, acquits himself well, even throwing in one acrobatic continuous take (or a shot made to seem like a continuous take). It’s not a scary movie, but it’s suitably dark and intense and just different enough to pass muster. It is, of course, unnecessary, but was better than I expected and gets points for trying to mix things up and shocking the audience in a new way.

18 thoughts on “Don’t Breathe 2 (2021)

    1. Alex Good Post author

      This was pretty widely panned, but I thought it was better than advertised. Not great, but not a disaster. Lang is good, but it’s a pretty limited role.

      Reply
  1. film-authority.com

    How do you hold your pistol? Isn’t the 90 degree slant more about threatening people, indicating that you are so close that you could mis-aim and it wouldn’t make any difference? That’s what it means in my street-culture wars…

    Reply
    1. Alex Good Post author

      Around here we don’t even put bullets in the gun, indicating that we are so tough we don’t need them. This is what it’s like on the mean streets of Ontario.

      Reply
      1. mattsnyder1970

        I know they follow the money, but it just seems like every film the last 20 has a sequel. Prior to that there were film series and cash grab sequels in horror franchises, but these days it’s like every film that comes out.

      2. Alex Good Post author

        Yep. I mean, there are original new movies but when you look at the box office franchises are the only game in town. And the broader blockbuster economy means that it’s those big winners that get everything (money, awards, media attention) and nobody hears about the 99% who fail. Same thing has happened with books (the same names dominating the bestseller lists, often writing serial fiction) and music. The few breakout exceptions only prove the general rule.

      1. Bookstooge

        I was thinking more of the generic “warrior” that Z represents than an actual swordsman. I also might just be trying to make connections in my head where none exists 🙂
        That happens a lot!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.