*. The legendary screenwriter William Goldman once formulated a rule of Hollywood that has become a kind of holy writ: NOBODY KNOWS ANYTHING. What he meant is that there was no way to predict what was going to be a hit. “Not one person in the entire motion picture field knows for a certainty what’s going to work. Every time out it’s a guess and, if you’re lucky, an educated one.”
*. It’s had not to be reminded of that bit of hack wisdom when reflecting on the mega-success of American Pie, which did $235 million box office (out of a negligible $11 million budget), and spawned three direct sequels. For what? A generic teen sex comedy (the script’s working title was Untitled Teenage Sex Comedy) about a bunch of high school boys looking to lose their virginity before they graduate.
*. I guess the best that might be said of such fare is that every generation needs its Porky’s. Young people have to go to movies and watch something other than superhero movies. Don’t they?
*. Comedy doesn’t age well. Even the most hilarious raunchy-stupid flicks from this period — Dumb and Dumber (1994), There’s Something About Mary (1998) — aren’t very funny today. Some of the humour here no longer plays as fresh. It’s hard to remember a time when MILF wasn’t a widely known acronym, with its use here being a joke that has to be explained. Or the idea of laughing at a guy tricking his girlfriend into having sex while livestreaming it over the Internet. No, that’s not so funny now.
*. A side note. Here is Roger Ebert on that scene: “When the lucky hero gets the foreign exchange student into his bedroom and she turns out to be ready for a romp, it is funny that he has forgotten and left his CU-See Me software running, so that the entire Internet community can watch him be embarrassed. It would not be funny if he left it on deliberately.” Well Roger, he did leave it on deliberately. That was the whole point. I’m not sure how Ebert missed that part.
*. But the thing is, I’m not sure any of this movie was all that funny to begin with. It’s hard to identify the laugh lines in the 2010s. Fucking an apple pie on the kitchen counter? Well, I suppose. But really, nothing about the script strikes me as very good, and it’s telling that when Eugene Levy came on board he apparently insisted on improvising his lines. Levy’s a guy who knows good material and he clearly wasn’t seeing it here.
*. Nor does the cast do much to help things along. The four horny musketeers (Jason Biggs as Jim, Chris Klein as Oz, Eddie Kaye Thomas as Finch, Thomas Ian Nicholas as Kevin) strike me as being charmless at best. Meanwhile, their girlfriends are only slightly more appealing.
*. Not as shocking today as it was twenty years ago. Perhaps even more nostalgic. I suppose most of it qualifies as being good-natured, but that’s about it. The main comic conceit is that the girls are more mature than the boys, which is a point I think everyone will have grasped in the first few minutes. But then it’s not a movie I was in the target audience for at the time, and I feel even less obliged to care for it now.