*. Another gift of low expectations! I had heard nothing at all about Ghosts of War going into it, but figured it was probably pretty bad. It is, however, a suitably entertaining dog’s breakfast of a movie, with a bit of something in it for fans of psychological thrillers, horror, and SF. Critics dumped on it and it didn’t find much of an audience, but I found it to be a better than average time-killer.
*. The set-up: during the Second World War a squad of American soldiers in France find themselves custodians of a French chateau formerly occupied by Nazi bigwigs. Historically, this made no sense to me. Were they operating behind enemy lines? Why were they on their own? Well, press pause on all of that. Before things are over you’ll be wondering about a lot more than historical accuracy.
*. It turns out the chateau is haunted by the family of the owners, who had been killed by the Nazis. This led to more questions, some of which are articulated by the squad leader: “What the hell does haunted even mean? Does that mean specific people have ghosts that are somehow anchored to the places they died, or is it places where evil has occurred that makes a portal to demonic forces? Or is evil simply a man-made concept in the first place?” Hmmm.
*. In any event, this part of the movie plays the way I thought it would: as a mash-up of The Conjuring with Call of Duty. But there’s nothing wrong with that. Sure it’s your standard haunted-house story, with lots of things going bump in the night and some very generic-looking ghosts. You know, the type that like to pop up out of nowhere screaming or saying Boo! with their mouths dripping ichor. But I thought director Eric Bress played it well. And then some Germans show up to crash the party. All well and good. But hold on to your hats because the final act enters strange territory. Which is also spoiler alert territory, if you don’t want to go any further.
*. Well, as things turn out the squad are actually American soldiers who, in some near-future war in Afghanistan, are blown up after failing to protect a family from ISIS fighters. That family then put a curse on the soldiers. The squad are then medevacked to a spiffy hospital where their dismembered bodies are kept on life support while they are entertained by a virtual reality program that has them playing soldiers in World War II France. Only there’s a ghost, or a family of ghosts, in the machine. The curse has infected the virtual-reality program, which leads to the squad being stuck replaying the haunted house scenario we’ve just been watching.
*. So there’s a lot going on here. You can pick up clues as things go along, like the references to Ambrose Bierce’s “An Occurrence at Owl Creek Bridge.” And if you know Bress’s previous work (2004’s The Butterfly Effect, or 2009’s The Final Destination) you might be even more on guard. But it’s still quite a twist they throw at the end. Does it make sense? Well, of course not. But given that premise, how could it?
*. I was also a little confused about how we were supposed to view the soldiers. Our first impression is that they are a gang of brutal jerks, except maybe the leader and the guy with glasses (the latter, naturally, being the one who both knows German and how to play the piano). But then at the end they become more sympathetic figures, since in killing Germans they’ve only been playing a video game anyway, and the Afghan curse seems a bit unfair.
*. Today’s horror films have at least given me a greater familiarity with the landscape of Eastern Europe. As I was watching this one I scribbled down the location as being either Hungary or Romania. In fact it was Bulgaria. Hey, I was close.
*. Possibly, just possibly, Bress is trying to say something about PTSD, or the moral equivalence between Nazis and ISIS, but if so that’s a message that’s soon lost. I mean, he may have been trying to say something about theoretical physics too, but I doubt it.
*. The final scene is ambiguous. Either the squad are going to be stuck in an endless loop or somehow the leader is going to get them off the hook somehow. It’s open-ended, which is something a lot of people don’t like but I don’t know how they could have wrapped things up any better.
*. So hardly a classic, but still something silly to have fun with. It’s a movie I’d rate a lot higher than blockbuster crap like The Nun, which is what it sort of reminded me of. The Nun was filmed in Romania.