Daily Archives: February 18, 2020

The Chronicles of Riddick (2004)

*. I praised Pitch Black (retitled The Chronicles of Riddick: Pitch Black when it came out on DVD) for its simple story and how it made do with a relatively small budget. The Chronicles of Riddick quintupled that budget in telling a story so complicated I was lost halfway through the introductory voiceover. I did not like it at all.
*. I often wonder, when I don’t have anything else to wonder about, how movies with so much action can be so boring. When the Necromongers attack the planet Helion Prime it just seems to drag on forever, with the bright flashing lights only there to induce seizures. And none of this has any point. We know what’s going to happen at this point in the story and I just wanted them to get on with it.
*. The plot here is both bog simple and bewildering. The Blue Meanies (or Necromongers) are taking over the universe. These guys are the usual medieval warriors who have somehow found themselves aboard starships. They wield giant battle axes and dress in armour. As it turns out, there has been a prophecy that our man Richard (Don’t call him Dick) Riddick is the chosen one, meaning the only guy who will be able to stop them.
*. So much, so familiar. But layered on to this is a game of power politics being played among the Necromonger elite and Riddick’s journey to a prison planet to save the now grown-up girl he rescued in the previous movie.
*. I should say that the version of this film I saw was the director’s cut, which included some 15 minutes of material that hadn’t been part of the theatrical release. I don’t see where this could have helped. If ever there were a case of too much and not enough, this film is it.

*. Dame Judi Dench as Aereon, which sounds like a piece of exercise equipment. Actually she’s an air elemental. I was kind of surprised to see her showing up on Helion Prime, but I guess Sir Alec Guinness lived for a while on Tatooine. These distinguished names fit well with the whole Masterpiece Theatre brand of SF, where fantasy elements play such a big role (Dench is basically a fairy queen here, and in Star Wars Guinness was a knight). There’s a long history of this in SF, going back to Isaac Asimov’s Foundation novels and Frank Herbert’s Dune books.
*. For a “triple-max” prison, the penal pits on the planet Crematoria are rather slackly guarded aren’t they? They have what? Five guards keeping watch over a giant hole in the ground?
*. No point saying anything more. This is generic, confusing, overproduced, and overwritten. The fight scenes are so fiercely edited it’s hard to make out what is happening. The design elements are kitsch fantasy and seem reliant on plastic forms. Colm Feore is a talented actor but hopeless in a role that demands something less.
*. I could barely finish watching it, especially at the inflated running time. Vin Diesel again seems intent on underplaying the role of Riddick to the point of near invisibility, aside from flexing his giant arms. When you think about it, the Riddick movies are a bit of an oddity as a franchise. They didn’t do great box office (making most of their money on DVD sales) and weren’t well received critically. And yet the series continued. Some things are hard to explain.