*. Long Weekend is usually considered an example of the Ozploitation genre, if that is a genre. All the label means is that it’s an Australian exploitation film from the ’70s. However, I do think they did things a little differently in the Antipodes. Long Weekend is a curious mix of themes and genres that combine to make it a different and memorable — if not, in the end, a great — movie.
*. In the first place it’s a man vs. nature flick, which is itself close kin to the eco-horror that was big at the time. And yet does nature ever really go on the attack aside from the one dive-bombing eagle and the angry possum (who seems to have been provoked)?
*. This was deliberate. Writer Everett De Roche (who also scripted the even better known Ozploitation classic Patrick, which came out the same year) just wanted to show the natural world rejecting the insufferable Peter and Marcia like an autoimmune system protecting against cancer cells. He sought to avoid “a Jaws-like critter film” and instead make the “beasties to all be benign-looking and not overtly aggressive.”
*. On that same point, I love how nature’s first “attack” takes the form of the mundane (but equally threatening and disgusting) mold that grows on their frozen “chucky” (chicken). They’re more likely to die from salmonella than a wombat bite!
*. Another theme being mined is that of the urban dwellers who take a wrong turn and end up somewhere off the main road. Here the young couple do arrive at their intended destination but only after being led through forthrights and meanders that make it clear they’re effectively lost. And all that expensive camping equipment isn’t going to help them in a real struggle to survive.
*. I wonder if it’s just the Australian background that also made me think of Roeg’s Walkabout (1971). Are the messages, in this one respect, all that different?
*. Then there is the domestic breakdown angle. This is actually quite interesting for a couple of reasons.
*. In the first place it’s surprisingly graphic. Peter tells Marcia to go fuck herself and the next time we see her she’s in bed reading one of her “dirty books” (at least that’s what Peter calls it) and masturbating. That was not something you saw a lot of outside of porn in the ’70s. Or today, for that matter. Self-love is a bit of a no-go zone for movies. Later Peter will pick up a copy of Playboy but be interrupted before getting to enjoy himself.
*. I can’t help but add another note here. In the trivia section of the IMDb entry for Long Weekend there’s a note telling us that the book Marcia is reading is The Inheritors (1955) by William Golding, which is a story about a tribe of neanderthals being wiped out by homo sapiens. Not sexy stuff! Alas for whoever came up with that gem (which I did get a laugh out of), the book she is reading is The Inheritors (1969) by Harold Robbins, which is more of a one-handed read.
*. The second thing that makes the story of the doomed couple interesting is that they are both so completely dislikeable. Every time you think they’re about to be redeemed they throw our sympathy away and we’re left to feel they deserve each other and their own little weekend in hell. The only one I felt sorry for was the dog, who I hope someone eventually found and let out of the jeep.
*. I like how Marcia throws the “grotty symbolism” of her smashing the eagle’s egg in Peter’s face (he had suggested it represented her having had an abortion). I guess if a movie is going to go in for grotty symbolism it’s good to show you’re aware of it. And could any symbolism be grottier than that truck heading to the slaughterhouse providing a rendezvous with destiny at the end?
*. Overlaying (or I suppose underlying) all of this is a sense of abiding oddness. What is up with that sea cow? What are all those weird noises on the soundtrack? What’s that dark shape in the water when Peter is out swimming? What happened to the people in the van? Strange things happen when you get lost in the woods.
*. It was remade, not well, in 2008 because that’s the kind of thing that happened in 2008. I began by saying this version isn’t great, but I think that’s mainly because of limitations that made the animal attack scenes all look ridiculous. The leads both perform well and while there’s nothing suspenseful going on it does hold one’s interest most of the time and is hard to entirely forget.