*. Fulci goes to the heartland. That is, if you include Tennessee in America’s heartland. In any event, it’s where debut director David Keith’s farm was located, which is where they shot the exteriors for this film.
*. Apparently Lucio Fulci handled the gore, which you wouldn’t need anyone to tell you. The plastered faces and messes of maggots and worms give the game away. As does the music. There’s no mistaking we’re in Fulci territory.
*. The source for the script is an H. P. Lovecraft story, “The Colour Out of Space,” that for some reason has attracted a lot of filmmakers. I think it was first filmed in the ’60s as Die, Monster, Die! There’s a bit more Lovecraft in this one. The idea of the trees moving without any wind comes from the story, for example, as does the fact that the farm is about to be submerged under a reservoir.
*. Aside from that, this film is more Stephen King than Lovecraft: from the way the poison in the groundwater tears the already dysfunctional family apart, to the mocking of the religious wingnut farmer, all the way up to the failed rescue attempt by the doctor and the collapsing house. (And in fact King had actually starred in another movie based on the same story: “The Lonesome Death of Jordy Verrill” segment from Creepshow.)
*. Another influence at work is the eco-horror of the ’70s. Think films like Frogs and Prophecy. We’re not dealing with man-made pollution here, but all the same the oozing meteorite might as well have been an airplane turd (which it is originally identified as) or factory runoff.
*. A final connection I’ll make. Watching The Curse I couldn’t help but be reminded of the now classic so-bad-it’s-good Troll 2 (1990). The same plucky kid (Zack here, played by Wil Wheaton) set against his oblivious family. The same motif of the food converting people into monsters. The fully degenerate mother here even looks like one of the trolls.
*. That’s quite a farm Nathan (Claude Akins) is running. He has horses, dairy cattle, chickens, and apple orchards. No wonder he has to spend so much time crunching numbers at the end of the day.
*. When you see a house that’s so obviously a model you know it’s going to be destroyed at the end. Talk about a giveaway.
*. The gore is all pretty dull. The only good bit of business was the mother sewing the sock to her hand, which was a good idea but not very well realized.
*. I mocked the clichéd crashing-through-the-banister scene at the end of Die, Monster, Die! and here it is again at the end of this movie! I wonder if it was meant as a nod to the first go ’round or if it was just laziness. Probably laziness. I mean, they even follow it up with the old swinging-lightbulb effect for good measure.
*. The Curse is a very bad movie, to the point where I had to wonder (as I wondered at Troll 2) whether it was meant as a joke. I don’t think it was, which makes some of it even funnier. The chicken attack, for example, or the muddy cows. That verrrrry slow-moving meteorite was also comic. But, on the other hand, the whole business with the rotten food was effectively disgusting. Not scary, but disgusting. The mother cutting open the cabbage was a highlight.
*. I wouldn’t recommend this to anyone. It’s very typical of low-budget ’80s horror, which was ugly stuff. It’s not without interest, but I prefer my Fulci neat and the same Lovecraft story has been made into better movies. Today I think this version has been mostly forgotten, for good reason.