Kull the Conqueror (1997)

*. Kull the Conqueror is a mediocre film in a genre with few if any bragging rights to begin with, but I think it’s still possible to say a few words in its defence.
*. It was a bastard project from the start. The intention was for it to be the third part in a Conan trilogy, but Schwarzenegger wanted no part of it. And before you say “smart move, Arnie,” remember that he wanted out of so that he could play Mr. Freeze in Batman & Robin. Kull is a crummy movie, but nowhere near that bad.
*. So instead of Conan they subbed in another Robert E. Howard barbarian named Kull. The difference being that Conan was a Cimmerian (who spoke with an Austrian accent) and Kull hails from some antediluvian Atlantis and wields a battle-axe instead of a broadsword. In other words, there was no difference at all between the two characters. In fact, one of the sources for the script here was a story that Howard had originally written about Kull. The names were virtually interchangeable.
*. Instead of Schwarzenegger they signed up Kevin Sorbo, who was playing Hercules on TV in a series called Hercules: The Legendary Journeys. Sorbo wasn’t as big a star as Arnold (or as big a “bulging bag of muscle and hair,” as Juba describes him here), but he is a better actor. If you don’t like Kull the Conqueror, don’t blame Sorbo. At least not too much.
*. Just as Conan the Destroyer was a lighter, more humourous affair than Conan the Barbarian, Kull the Conqueror takes another step in this same direction. We’re not in full-blown ironic territory yet, but this is a self-aware, funny movie with a heavy metal soundtrack and a handful of well-placed lines (ex: “Your bride is over 3,000 years old.” Kull: “She told me she was 19!”).
*. Tia Carrere and Karina Lombard both look great. Which is pretty much all they have to do. Though Carrere has to show a bit of wildness every now and then before finally transforming into Rider Haggard’s She-who-must-be-obeyed. Speaking of that finale, the move Kull has to pull to destroy Akivasha is pretty amazing, and one of the few things you’re likely to remember from the film.
*. The effects seem pretty crude 20 years later, but they’re no worse than the other Conan movies. The monkey-man in the dungeon is silly, but not quite as silly as the ape-wizard in Conan the Destroyer. And the demon form of Akivasha actually looks pretty good.
*. All of which is just my way of saying that Kull may be bad, but it’s not that bad. Still, it did poorly at the box office and marked the (real) end of the line for the franchise. I don’t think anyone then or since has cared very much.

 

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