*. I didn’t have any expectations that Point of No Return would be as good as Luc Besson’s Nikita, but I didn’t think it would be this bad.
*. It should have been good. They stuck to the original’s script remarkably closely, at least through the first couple of acts. The changes they made are for the worse, but they are mainly cosmetic, basically just making it more Hollywood (in a bad, and literal, way). Nikita is now Maggie and her love interest is a photographer not a checkout clerk. She actually blows up the hotel room she brings the room service to. She and her fiancé go to New Orleans not Venice for her first undercover kill. The final target isn’t an embassy but some mansion in the hills overlooking L.A.
*. The end of the movie, however, is just a total fudge. Maggie inexplicably falls apart on her final assignment but somehow gets out of it without the assistance of a berserker Victor. We don’t get the scene where the boyfriend (what was his name? J.P. Yeah, J.P.) tells her that he knew about her double life all along. We find out that her handler Bob (Gabriel Byrne) was still in love with her. Victor the Cleaner is disposed of in a very silly, Hollywood way.
*. The cast is hit and miss, but overall I would rate it as strong. I really like Bridget Fonda and she should have been up to this part but she’s horribly misused. There’s no moment of agony when she opens up the present of the gun in the restaurant, but she breaks down in the kingpin’s lair. That makes no sense. Nikita at least had a coherent character arc. As for the rest of the names, Miguel Ferrer is as enjoyably sleazy as usual. Gabriel Byrne seems even sleepier than usual. Anne Bancroft is a strong presence that is wasted. Harvey Keitel starts off in good form as a nerdy version of Jean Reno’s Cleaner but is then simply dropped off a cliff. Tarantino would bring him back as a clean-up man the next year in Pulp Fiction.
*. So they had a good script to work with (meaning the original), and a decent cast, and they still came up with this. I blame director John Badham, who seems to have no feel for, or even interest in, the proceedings. The action and suspense sequences here all fall totally flat. Meanwhile, I could name a dozen individual shots in Nikita that stand out as so well composed and embedded as to have become nearly iconic. Point of No Return hasn’t a single one. Badham didn’t even keep any from the original!
*. Writing about this movie is making me hate it more. Because it’s so close to the original it’s one of those remakes where you have to wonder (and I can only wonder) what your response would be to it if you hadn’t seen Nikita first. Would I have enjoyed it more? I like to think I wouldn’t just because it’s such a lousy piece of filmmaking. Having seen Nikita first just made it seem worse.