Daily Archives: June 21, 2017

The Copper Beeches (1912)

*. This is a curiosity. It’s one of eight Sherlock Holmes films made “under the personal supervision” of Arthur Conan Doyle, and apparently the only one of the eight that survives.
*. The reason this is interesting is because it is a very different story from what Doyle wrote. So the next time you get upset at directors messing around with the Holmesian canon, keep this film in mind and realize that Doyle was totally on board with allowing whatever changes were necessary to make a story more filmable (if not always better) entertainment.
*. For a short, silent film like this even a very short story has to be cut quite a bit. You just don’t have enough time for complexity. So, no Watson. Nobody else in the manor except mean old Mr. Ruccastle. No mastiff hound patrolling the grounds. Just a simple trap that is frustrated by the ingenuity of Holmes.
*. Aside from its special status as having been supervised by Doyle, there’s nothing very interesting going on here. It’s one of the Holmes movies made by the French studio Éclair starring Georges Tréville as Holmes. I’ve made notes on one of these, Le Trésor des Musgraves, which apparently did not have the imprimatur of Doyle (though I don’t know why it wouldn’t, since it was made by the same people at around the same time as this film).
*. I mentioned the fact that there’s no Watson here, as there wasn’t in Le Trésor des Musgraves. Instead, the story begins with the situation at the manor and Miss Hunter only comes to seek out Holmes about halfway into the movie. This makes me wonder what Doyle really thought of Watson. Of course he’s a figure much beloved by Holmes aficionados, but was he ever much more than a literary device? In a short film like this, where he wasn’t needed, he was easily disposed of.
*. I find The Copper Beeches to be slightly less interesting than Le Trésor des Musgraves, mainly for being more conventional. The acting is even stagier, with lots of arms being thrown out wide and heads tilted back. Shots tend to follow a basic formula. If you see Miss Hunter leaving the manor by the white gate and then riding down the country lane you have to see her returning with Holmes riding down the same country lane in the other direction, and then entering the same white gate. It all makes for a much tidier film than the Musgrave one, but less interesting. Still, for Holmes fans it’s worth checking out.