Daily Archives: June 18, 2017

Point Break (1991)

*. I remember seeing this one with a group of friends when it first came out and I think we all were left wondering what to make of it. Sure it was a cops-n-robbers action film with car chases and gun fights, and the usual bullshit about the unorthodox and mismatched buddy cops with the hard-ass jerk of a boss, but, at least at times, it did seem like something different.
*. Maybe it was just trying a bit harder. I like how the footrace plays out with a number of interesting elements. It starts off with Johnny fighting the man in the Reagan mask while that man is on fire. That was kind of interesting. Then you have little things like the way the perp closes and locks the glass door behind him when he cuts through the house, and then throws the dog at Johnny. These aren’t things that make you go “Wow!” but they help to perk up what is an otherwise conventional chase sequence.
*. Then there are the sympathetic villains. It’s established early on that they don’t kill people when they rob banks, and the ex-presidents theme shows wit. They are “adrenaline junkies” looking for a way to finance their “ultimate rush”-seeking lifestyle, because, let’s face it, working sucks. I think we can all relate.
*. This relatability is an important point that I felt the 2015 remake flubbed badly. In that movie the gang struck me as depressingly downbeat. They wanted to die, but die beautifully. At one point in this film Johnny accuses Bodhi of having a death wish, but that’s not right. As he makes clear in his big campfire speech, what Bodhi wants to do is show that the human spirit is still alive. The gang accept death, but they’re not really directed toward it. You could argue that Bodhi is suicidal at the end, but at that point all his options have been removed.
*. Kathryn Bigelow also nicely captures the romance of the gang’s lifestyle. The surfing and skydiving are a kind of ballet. And Patrick Swayze just has too much energy and charm to be a real villain, or to lead us to think that he wants to die.
*. If there’s a big problem with the movie (I’m ignoring all the little problems) it’s in how quickly Bodhi turns from someone who is essentially non-violent to being almost indifferent to killing. His whoops and cheers after landing in the desert next to the body of his dead friend struck me as particularly jarring.
*. Then again, Johnny doesn’t do much to revenge Gary Busey’s Pappas does he? I guess he never bonded with his partner as much as he did with Bodhi.
*. Keanu Reeves. Pretty awful, as usual. But Bigelow knew him and could use him for what he was: a beautiful man who looks great in a wet t-shirt. Put a couple of more animated figures on either side of him (Swayze and Busey) and he seems almost normal.
*. Roger Ebert: “The plot of Point Blank, summarized, invites parody (rookie agent goes undercover as surfer to catch bank robbers). The result is surprisingly effective.” It’s interesting how often this happens. It doesn’t matter that a plot is ridiculous or “invites ridicule”┬áso long as it works dramatically.
*. Some of the dialogue is very bad, and Reeves’s delivery just takes it up (or down) another level. His final words to Bohdi on the beach are hard not to smile at. But it’s a script that’s also knowing enough to undercut its own badness in this department. Example: Reeves bellowing at Tyler “My name’s Johnny Utah!” and having her call back “Who cares?” Or Reeves (again bellowing) to Bohdi “This is your fucking wake-up call! I am an FBI agent!” and having Bohdi reply “Yeah, I know. Ain’t it wild?”
*. It’s sometimes labeled a cult film today, but I don’t know if it quite makes that cut. I think it’s well made, and Swayze is terrific. Some of it is very conventional, and some of it very stupid, but it seems at least aware of these shortcomings. It’s not a movie I return to, because at the end of the day I don’t think there’s much to it, but it’s weird enough to have lasted this long and it may be around for a while yet.